I was just a little girl when the Beatles came on the scene in the mid-Sixties, but I quickly caught Beatle fever. The four English lads with dark mops of hair had an infectious sound and personality that made toes tap and girls swoon. I spent many an hour clad in white vinyl go-go boots dancing in the family basement rec room to Meet the Beatles, The Beatles Second Album, and Beatles 65.
This past weekend, I was able to reminisce about the Fab Four by listening to a weekend-long show on Sirius XM Radio’s Beatles channel. Hosted by music producer Peter Asher, the “All Together Now” show featured the top 100 Beatles songs as voted on by listeners. Although I might have quibbled with some of the listeners’ choices, I enjoyed the musical tour through Beatles history, punctuated by arcana from the knowledgable Asher.
Having not only been a music producer during the Beatles’ rise to fame but also a close personal friend, Peter Asher is well qualified to discuss the intricacies of their music and to share the personal stories behind many Beatles songs. In fact, Paul McCartney lived with Asher’s family for two years and wrote many of his beautiful songs in the Asher family home.
An interesting tidbit I learned was that the hit “Hey Jude” was originally titled “Hey Jules.” This makes sense since, as I once learned, Paul wrote the song to cheer up John Lennon’s son Julian when the Lennons were in the process of getting a divorce. John, for his part, wrote one of my favorite songs about his mother, Julia. McCartney also used many of his personal experiences to form parts of songs. For instance, the lyrics of “Let It Be” came from a dream Paul had of his mother. “Martha, My Dear” referred to Paul’s pet dog, and “Penny Lane” was based upon a street in his childhood neighborhood in Liverpool.
One of the most interesting details I learned was that Paul McCartney’s “Blackbird” is a song about civil rights. In Paul’s words, “This was really a song from me to a black woman, experiencing these problems in the States: ‘Let me encourage you to keep trying, to keep your faith, there is hope.'” Indeed, as the Beatles evolved, their songs became deeper and richer in many ways. They also got in trouble with conservatives for some of their comments and lyrics. I still remember my father’s outrage when John Lennon declared that the Beatles were bigger than Jesus Christ. And the John Birch Society objected to the upbeat “Back in the USSR,” which I interpret to be a tongue-in-cheek take on the Beach Boys’ “California Girls.”
To this day, I have a special fondness for the Beatles’ early music. It was so upbeat, sweet, and danceable. It’s just not possible to be in a bad mood while listening to “I Wanna Hold Your Hand,” “Help!,” or “Happy Just to Dance With You.” I’m not such a fan of the psychedelic phase the Beatles had, in which all the lyrics sounded as if they were written under the influence of mushrooms or LSD. But much of their later music only improves with age. Soulful ballads such as “Let It Be,” “Something,” and “While My Guitar Gently Weeps” reveal a maturing foursome, ironically as the band started splintering.
There will never be another band like the Beatles. As I listened to song after song in the top 100, I realized that not only had I heard almost every single one many times, I knew most of the lyrics. The Beatles were a formative part of our lives in the 1960s and 70s. Hearing so many of their masterpieces this weekend, I realized that Beatles music will never get old.
The Beatles’ gift to music and culture is immeasurable. And I hope for each of them the lines of “The End” have held true: “And in the end, the love you take is equal to the love you make.”